“The Specter of the Present: Reading The 2018 Venice Film Festival in the Context of Place, Time, and Memory,” Quarterly Review of Film and Video, Volume 36, Spring 2019.
“A Movie of a Small Town: An Interview with Fred Wiseman,” Quarterly Review of Film and Video, Volume 36, Spring 2019.
“Pastiche or Critique: Re-Working the Canonical Avant-Garde, and the Female Body,” Quarterly Review of Film and Video, Volume 36, Spring 2019.
Oral History included in Gretchen Bender: So Much Deathless, first posthumous retrospective of the life and work of influential, multi-disciplinary artist Gretchen Bender, Red Bull Arts, New York, May 6 – July 28, 2019.
"Remaking the Serpentine Dance: Film as Material, Body as Trace," Millennium Film Journal #64, Fall 2016.
“Ericka Beckman and the Cinematic Image,” in Ericka Beckman, edited by Fabrice Stroun and Geraldine Tedder, JRP/Ringier, Geneva, Swirtzerland 2016.
“The Remake of Memory: Shutter Island and The Skin I Live In,” in L’Atalante, Cineforum of Communication Studies at the University of Valencia, Spain, July 2014.
“Between Nostalgia and Regret: Strategies of Historical Disruption from Douglas Sirk to Mad Men,” in American Film Histories ed. J. E. Smyth, Palgrave Macmillan, 2012.
“The Memory of Desire: From Douglas Sirk to Mad Men,” Catalogue essay for conference on Memory and Mass Media, Trento University, Italy, November 17, 2010.
“An East German Indianerfilm: The Bear in Sheep’s Clothing”, Jump Cut, Spring 2008.
“The Representation of Ethnicity in The Godfather” in The Godfather Trilogy, edited by Nick Browne, Cambridge University Press, 1999.
“From Dracula - With Love,” in The Dread of Difference: Gender and the Horror Film, edited by Barry Grant, University of Texas Press, 1996.
“The Stalker Film,” in American Horrors, edited by Gregory Waller, University of Illinois Press, 1987.